by Sienna Taggart
paperbag bush, prickly poppies, creosote ironwood blue phacelia bitter root —the desert’s offspring sewn together, rustling whispering their brisk secrets up the mountain. I taste them on my tongue when rain beckons and calls feel them on my palm, their gummy milky sap drying on my fingertips I walk climbing higher to the Yucca with her sugary waxed cream flowers sheathed in sharp points, roots swelling with sudsy pulp; I stand before her threadlike neck concealed behind a bladed fan cup my hands as wind pulls velvet tears from her cheeks. Sienna Taggart (she/her) is a Creative Writing and English student. Her work has appeared in Dundee University Review of the Arts and The Ekphrastic Review. Sienna lives in El Paso, Texas, with her family and spirited pup, Ronin. She can be found on Instagram @siennaraine_
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by Tom Brami
When in poverty, your altitude becomes familiar, and you realize the difference between being short and being short of thrift. You fly and think of falling into the spiral of earth without obligation of forming belief, like a peach prone to bruising. We are all air bound, arranged in failure and moving. Observe her husband below. Right now, he’s changing by walking the feet to an invisible line. He is a kind of glass she held to the sun, an emergent quality present in ways or degrees. In the future, you will recognize your face as a groper probing a fisherman’s hand. You’re a boy crawling into a crevice to sleep. Anemones stain the sea; birds are lost in migrating sand. You use them as half buried pillows. Outside you, a ship is casting a frost that freezes the ocean. The snow is calm and reddish, prone to bruising. Wreathing clouds are suspended on a sphere. Tom Brami is an Australian writer and filmmaker working on a PhD in Madison, Wisconsin. His poetry can be found in Of/with, otoliths, Futures Trading, Southerly, and Foam:e. |
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May 2024
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