by Anne Roscoe
the hive has relocated itself again i’m used to it by now the swarming weight near my heart and anyway, the cloud is still, sluggish from the chill no need to worry i can just reach a hand into that dull buzz move it all from sight once more in crawling handfuls carefully, gingerly i keep them for the honey but you shouldn’t get too close if one memory starts to sting then the rest will soon follow Anna Roscoe's work appears or is forthcoming in Going Down Swinging, swim meet lit mag, and Aniko Press. Her writing often uses natural elements to explore emotions and memories. She grew up in Wurundjeri Woi Wurrung country, but now lives in Asia.
0 Comments
by Javier Bateman
After Milo and Ocean Vuong You are a plate scraped clean. Dog-eared, folded, a ‘come back to me later—please’ sorta guy. He runs his thumb across your back like it is some small thing, like it is nothing at all. Your mouth opens like a wound He says, all smooth and terrible, ‘I am Abel and my brother is Cain.’ And for a moment you can misremember his hand in your hair, the rock orbiting your skull, and how the night overhead was punctured by the white teeth of starlight. Javier Bateman (They/He) is a queer, chronically ill, trans-nonbinary academic and poet living on unceded Whadjuk Nyungar Boodjar. Javier's poetry deals with diverse themes of grief, gender and gender identity, love, obsession and occasionally, Keanu Reeves. In his downtime, Javier is often found at home consuming media about sad cowboys. by Aries Gacutan HATE ME! HATE ME! HATE ME! im full up on berrylove cheeks puffed with whipped cream ive got enough light’n’airy sweets to last me lifetimes–– i wanna see lemon juice and rusty nails i wanna taste phlegm at the back of my throat i aint never been so clean-cut don’t-care never gave so little never wanted u to give so much (spit it out, kid or crunch down hard) why dyou think digestibility mattered? why dyou wanna whip urself clean–– slop down easy like yoghurt–– who told u its impossible for ppl to love hard edges??? poem for a bartender
sun over the lake painting the sky in gold & grey // & the wind thru the open door sets all the glasses jangling // there’s music here but u gotta pay attention // to catch it // past the here-there-rush-hour rhythm of the evening // take a seat // take me away // it’s too easy to forget to pay attention // guy behind the bar’s singing out to whitney houston // what song does a cocktail sing? // what beat is the coffee machine // tapping out // staccato // with verve? // he self-styles as an observer & a charmer // he watches warm hands meet in the middle // the dishwasher hums // the guy behind the bar harmonises with the ducks // on the lake // as they cut placid streams thru the water. the orders keep rolling in. everything’s a song if u try hard enough. Aries Gacutan (they/them) is a writer and editor based in Wathaurong country. Their work has been featured in Meanjin, Voiceworks, Archer (forthcoming), #EnbyLife and Baby Teeth Journal, among others. They enjoy pondering the complexities of gender and eating strawberries. On occasion, they will play a video game. by Jack Greer
Cauliflower tastes like a cave; a mouth like dry sex and the taste of soil like the taste of bad books on sex, and falling and polishing your knee cricket-ball red; wriggling, ring-teethed albinism which nibbles on your weak, desperate body; how the flashlight, just beyond reach, shines a collage of long paper shreds; the fitting of joints and bones in under-sized stone holsters like the wrongness of a crooked Rubik’s cube; waiting and hoping and listening to the tinkling ballet of drips; cherishing the last human notes: keep the change, want a sip, watch your head, we’ll come get you, don’t worry, I’ll be back; like a Sunday afternoon spent caving with acquaintances. Jack Greer (he/him) is a recent graduate of the University of Queensland where he completed his Bachelor of Arts majoring in Creative Writing and English Literature. He is interested in creating other worlds within the ones we already inhabit. by Nicole Jacobsen
His living room is a vivarium full of filtered sunshine gasping through storm clouds, releasing rain that trembles puddles on cement, warping sky. Water circles clutch glass like suctioned starfish, we kiss as he passes. I scratch poetry between blue lines, deliberating the nucleus of a syllable. Menthol breeze ripples my arms and small hairs, raising bubble wrap skin. Synaesthesia insists his footsteps are pine. I’m fine here, while he works, watching peace lilies animate on the table, my body creaking like a new home beginning to settle. Nicole Jacobsen is a Brisbane artist, writer, poet, and aspiring editor who regularly finds herself re-befuddled by the difference between who and whom. Her background in Psychology emerges through character studies, obsessive bouts of self-reflection, and recurrent themes of mental health in her work. by Natalie Bühler
After the tradition of burning an effigy at the end of carnival to mark the beginning of spring in Central Switzerland. In afternoon dark, we gather around the crackling head, his papier-mâché crown glinting in the flames. Teasing us, he delays his broadcast of spring’s arrival, so the jesters put inflated pig bladders to rest, hold hands and dance tightening rings around the pyre. Carved smiles on turnip masks hide uncles, aunts, my brother who’s old enough to join them. Fire melts confetti-stained snow into wet socks; my hands in silent rosary prayer with the pink plastic beads on my princess dress, pulled over ski jacket and thermals, catching tiny yarn loops on sequin edges. This is the last dress my grandma will sew for me. Already, her finger joints are swollen, but I haven’t faded into a stranger yet. This morning, she was on her float, carnival queen of adopted home, adopted myth, adopted accent. Her consort is Lothar, who still knows exactly how to call her chérie. They stand there, waiting for spring to explode out of the king’s head. Natalie Bühler is an emerging writer and arts administrator living on unceded Gadigal land in Sydney. She works at the Sydney-based organisation Red Room Poetry and incorporates her native Swiss German, which does not have a standardised written form, into her English writing. by Ashley Chew
before i know it i am spinning, arms akimbo, dying a dizzy-dim death under neon-pink lights. i am wearing my grief coat tonight - i share it with a dark stranger. she finds shelter in it. the night breathes different without you. i still feel blindly for your face. a single glittery disco ball spins from the middle of the ceiling, like an uneven moon, spilling stardust all over us, our grief coats, grief smiles, over me, on my wobbly heels, holding me up, full weight of a human body, gingerly, lightly. my mouth is spangled with your stars. Ashley Chew lives on the sunny island city of Singapore. She holds a Master of Arts degree in English Literature and clearly could not keep away from books for long for she is at present an associate librarian at the National Library Board of Singapore. Ashley’s bursting email inbox is always open to you if your subject header is in all caps and contains at least 5 exclamation marks, no less: ashleycwq@gmail.com. by Dee Allen
There have been times-- Musical, foot-stomping, joyous times-- At strobe-lit spaces Goths and Rivetheads Were known to congregate When I was welcomed And felt accepted As one of their own. And at other times At such spaces-- Times I wish Were erased from my memory-- When I passed through The dancing, undulating, spiked & pierced Lot unnoticed, Double-black-- Black garments moving, Covering Black skin, Except for the face-- And a superpower I never counted on having Kicked in around the decorative, mostly Pale elitist ones Uniformed in the shade of midnight: Invisibility. African-Italian performance poet based in Oakland, California U.S.A. Active on creative writing & Spoken Word since the early 1990s. Author of 7 books--Boneyard, Unwritten Law, Stormwater, Skeletal Black, Elohi Unitsi and his 2 newest, Rusty Gallows and Plans--and 66 anthology appearances. Currently seeking a new publisher. by Maree Reedman
My backyard is blanketed in lavender flowers, little trumpets, heralding memories of university days, exam time, the year ending, and my mother, who liked purple and blue, how she cut down the majestic jacaranda on her footpath because it was close to the power lines. There’s a family of frogmouths in the paperbarks at work. My niece and nephew are getting their licences, Dad’s going on another cruise. My mother died in the dead of winter, she wouldn’t wait for the frangipani to sprout green leaves at the end of its old fingers. Maree Reedman lives in Brisbane with one husband, two cockatiels, and five ukuleles. Her poetry has been published in the United States and Australia in Chiron Review, Naugatuck River Review, Unbroken, Stickman Review, Grieve, Hecate, StylusLit, and has won Ipswich Poetry Feast awards, including a mentorship with Carmen Leigh Keates. by Emily MacGriff
I saw water music whomping women women wearing leaves and their hair breathing in baritone stretches of precipitate I shook the waves – rubber and rudder pointed in from the surf wanting to call back in stomp, brush, slap scoop, smack gulp, spray, gasp wanting an answer swish, smash, sing sway, say something, just arms leaf head leaves breast bottom belly leaves the strings of music in the empty bits of me, my history and feet be silent, it’s all the engine drop, rain, my own chest’s cascade it’s all the chimes I cry, and cloud. Emily’s work pulls largely from her experience working aboard expedition ships as a marine biologist/wilderness guide in the polar regions, South Pacific and British Isles. She is mostly retired from shipbound work and focused on navigating life as a woman, artist and mother. She’s based in Detroit and received an MFAW from the School of the Art Institute of Chicago in 2022. |
Blue BottleSeeking words with sizzle, poetry that wraps us in burning ribbons and won't let go. Send us your best! Archives
February 2023
|
Photo used under Creative Commons from John Donges