by Genevieve Osborne Coast Dawn A slow light fingers into cracks and angles Spills over cliffs and pools; Pinks the streaming manes of skittish mares And combs the fur of foxes loping to their lairs; Works into a weighty nest of sticks To hone the eagle’s beak; Glints the scales of mullet rising in a wave And pokes the rosy bones of fruit bats fallen in a cave; Sidles through a valley to a farm And flames the windows of the sleeping house; Bloods the veiny ears of pigs blinking in their pens Then primes the udders of the waiting cows; Wakes the rooster shatters in his crow And showers in shards and prisms on his hens. Garfish
Is it the way a shaft of winter light leans into the kitchen that lets these distant pictures play now sharp and clear? Hands lift a parcel test its weight fold back white paper garfish I watch my mother line them up on the old marble topped table slim silver bodies each with a slender sword watch her sprinkle on the flour rub it gently on the cleaned slippery skin and place them side by side in the hot oil in the pan with their tails curved up one side and their snouts pointing over the edge of the other watch her turn them deftly and lift them out onto a plate lined with kitchen paper a row of pale golden fish with skin just crisp moist white flesh to drizzle with lemon and separate carefully from the almost invisible bones. Genevieve Osborne is a Sydney writer. Her poems have appeared in various journals including Southerly, Meanjin, Island, Red Room Poetry's The Disappearing and The Emma Press Anthology of the Sea (UK). She was joint winner of the Henry Lawson Prize for Poetry and runner-up in the Gwen Harwood Poetry Prize. Genevieve spends a fair amount of time thinking about food and cooking. Her favourite place to be when growing up was in the kitchen, watching her mother cook. She says her mother was the best cook she has ever known.
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